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Past

PAST EXHIBITIONS

Vernon Pratt  |  Gradients series:

73 Grays”, “37 Grays”, “19 Grays”, and “10 Grays”

CAM Lower Gallery

Oct 2022 – Dec 2022

Vernon Pratt Gradients series


Clarence Heyward  |  UNSEEN

Main Gallery

March 2022 – September 2022


Lakea Shepard  |  MALIK: Sovereign of Faith

August 2021 – September 2022


Kennedi Carter  |  FLEXING/NEW REALM

March 2020 – September 2022


Mikael Owunna  |  COSMOLOGIES

Nommo Die and Nommo Titiyane

Exterior Wall

2021 – September 2022


Raleigh Fine Arts Society
2020 North Carolina Artists Exhibition

Nat Trotman, Juror

Main Gallery

March 6 – August 23, 2020

Learn more about the exhibition and see images on view here


Marisol D’Estrabeau

Street Gallery Mural
October 4, 2019 – August 9, 2020

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Marisol D’Estrabeau, Unicorn Apprentice, 2019, mixed media on wall, image courtesy of the artist


Corey Pemberton
creature, comfort

Media Lab Gallery

February 7 – July 5, 2020

Learn more about the exhibition and see images on view here

Corey Pemberton, You could taste the love, Mixed media, 2019, Image courtesy of the artist


¡Viva Viclas! The Art of the Lowrider Motorcycle
Guest-Curated by Denise Sandoval, PhD with Automotive Historian Ken Gross

Main Gallery

October 4, 2019 – February 9, 2020

Learn more about ¡Viva Viclas! The Art of the Lowrider Motorcycle here

¡Viva Viclas! is a celebration and exploration of the art and culture of the lowrider motorcycle. Vicla is a slang term for a style of lowrider motorcycle customization popularized by Chicanos/Mexican-Americans and is derived from the Spanish word for bicycle—bicicleta. The exhibition features 10 custom lowrider Harley-Davidson motorcycles and 12 artworks inspired by themes in Vicla culture including heart, pride, brotherhood, respect, and pride. The exhibition is guest-curated by lowrider scholar Denise Sandoval, PhD with automotive historian Ken Gross.

¡Viva Viclas! logo design courtesy of Mister Cartoon.


Gonzalo Puch
October 4, 2019 – February 9, 2020

Gonzalo Puch, Untitled, 2015, Image courtesy of the Julie Saul Projects, New York.


Georges Le Chevallier

October 4, 2019 – January 12, 2020

Georges Le Chevallier, Mole Rojo con Pollo y Arroz (after Oscar Diaz), 2019 Stretcher Bars, Coffee, rice, chicken bones, sesame seeds, Acrylic Paint, Aerosol Paint, and Graphite on Canvas, Image courtesy of the artist.


Rosana Castrillo Díaz
Trust me. You are t/here.

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Image of Rosana Castrillo Diaz in the installation courtesy of Rashaun Shaw.


Maria Martinez-Cañas
Rebus + Diversions: Selections from the series (2016)

September 6, 2019 – January 12, 2020

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Read Manual E. Gonzalez’s essay about Martinez–Cañas and the series here.

Maria Martinez–Cañas, Untitled 018, 2016, Mixed Media, Unique, Image and loan courtesy of the artist and Julie Saul Projects, New York.

The artist would like to thank The Pollock-Krasner Foundation for their financial support in the creation of the works included in this exhibition through a 2016 Photography Fellowship.


Marsha Cottrell: Black and Light

July 5 – September 8, 2019

An selection of works on paper ranging from 1997 – present.

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Marsha Cottrell, Untitled (11:46:21am), laser toner on paper, unique, 2019, Courtesy the artist, Anthony Meier Fine Arts, San Francisco and Van Doren Waxter, New York. Image courtesy of Polite Photographic Services.


Michael Klauke: In So Many Words

June 7 – September 8, 2019

Independent Weekly Gallery

An installation of paintings, work on paper, and video

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Michael Klauke, All Men Are Created Equal (Portrait of Barack Obama), ink and pencil on paper, 2008, Image courtesy of the artist.


Miller Taylor

June 7 – September 8, 2019

Old Lighthouse Beach, (Buxton, NC)

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Miller Taylor, Old Lighthouse Beach, (Buxton, NC), 2016, Digital print on vinyl, Image courtesy of the artist


Alan Stewart

June 7 – September 8, 2019

Waft and Wane

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Alan Stewart, Waft and Wane, 2019, Mixed acrylic on panel, Image courtesy of Raymond Goodman


Justin LeBlanc: Probable Normal Hearing

June 7 – August 18, 2019

A new collection of work focused on how the absence of one sense can force the rearrangement of the others. The work is a dialogue with the viewer that explores his identity as a Deaf person.

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Justin LeBlanc: Probable Normal Hearing Installation View, 2019, Image courtesy of Adrian Compean Garcia.


Raleigh Fine Arts Society
North Carolina Artists Exhibition 2019

March 10-June 16, 2019


Stephen Hayes: Legacy, Legacy, Legacy


March 1–May 19, 2019

Independent Weekly Gallery

Stephen Hayes, Installation view of Legacy, Legacy, Legacy, 2019, Image courtesy of Adrian Compean Garcia


Jasmine Best: Screened In

A new site-specific installation.
February 3–May 12, 2019

Learn more.

Jasmine Best, Installation view of Screened In, 2019, Image courtesy of Adrian Compean Garcia


Hank Willis Thomas, Globetrotter, 2016

Above the Rim presented by PNC
Guest curated by Phil America
Main Gallery
October 5, 2018-February 3, 2019
Sixteen international artists exploring the joy and community of basketball.

Learn more.

Hank Willis Thomas, Globetrotter, 2016, fiberglass, chameleon auto paint finish,
Photo Courtesy of The Jack Shainman Gallery, New York.


Antoine Williams: Moral Monsters
An Installation of New Work by Antoine Williams
Media Lab
October 5, 2018–January 20, 2019

Antoine Williams, Spike, Image Courtesy of the Artist.


Scape by Julia Gartrell

Scape, detail, mixed media installation, image courtesy of the artist.


Photography by Tama Hochbaum
June 29 through August 19, 2018

Night University Place, 2016 (from the bi series). Image courtesy of George Lawson Gallery.


New Work by Jason Craighead
July 6 through September 9, 2018

Image courtesy of the artist.


Raspberry Chocolate Pillow by Tim Lytvinenko
July 6 through September 9, 2018

Raspberry Chocolate Pillow, 2017. Image courtesy of the artist


the long sun by Anne Lindberg: February 2 – June 10, 2018
Photo by Derek Porter. Image courtesy of the artist.


A selection of fashion illustrations by Ann Thaden: February 2 – June 10, 2018.
Image courtesy of the artist.


Textile, Print, and Form: A Lifetime of Magical Experimentation by Dame Zandra Rhodes: February 2 – June 10, 2018
Photo by Gene Nocon. Image courtesy of the artist.


artwork by Margaret Bowland, curated by Dexter Wimberly: April 5 – June 17, 2018 Image courtesy of the artist.


And Then the Sun Swallowed Me by Heather Gordon: October 6, 2017 – February 4, 2018. Image courtesy of the artist.


No Damsel by Dorian Lynde: May 28, 2017 – January 7, 2018. Image courtesy of the artist.


ISP (Internal Service Provider) by Whitney Gibson and Shelley Holcomb: October 6, 2017 – January 7,  2018. Image courtesy of the artists.


The Long Goodbye… by Eric Yahnker: July 7 – September 4, 2017. Image courtesy of the artist.



GUN SHOW by David Hess: May 28 – August 6, 2017. Image courtesy of the artist.


Leonardo Drew: March 2 – June 11, 2017. Image of the artist creating his installation at CAM. Photo by Harvey Robinson.


Without War Paint by Mathew Curran: January 22 – May 7, 2017. Image courtesy of the artist.


0-11 by Boris Bidjan Saberi: January 6 – May 7, 2017. Image courtesy of Chris Ciccone.


White Gold

The Ties That Bind

Oppressive Architecture

Kindred

Land of Me - from The Nothing That Is

Gabriel Dawe's Plexus No. 25

Bull City Summer

NC Arts Council Artist Fellowship Award Exhibition



Marilyn Minter

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